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Artists
Pop
Artists
Pop
Yamaguchi, Momoe
1973–1980
·
21 albums
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Genres
Idol Kayō
Idol kayō is a strand of Japanese popular song (kayōkyoku) centered on manufactured "idol" singers who present a wholesome, approachable image alongside catchy, highly arranged pop tunes. It emphasizes bright melodies, simple romantic or seasonal themes, and choreography-ready hooks that translate well to television variety shows and live fan events. Sonically it sits between classic kayōkyoku and later J-pop, often blending disco rhythms, string and brass arrangements, and early synth-pop colors, with key changes and memorable refrains designed for mass appeal.
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Pop Rock
Pop rock blends the hook-focused immediacy of pop with the instrumentation and drive of rock. It prioritizes catchy melodies, concise song structures, and polished production while retaining guitars, bass, and drums as core elements. Typical pop rock tracks use verse–pre-chorus–chorus forms, strong vocal harmonies, and memorable riffs. The sound ranges from jangly and bright to mildly overdriven and arena-ready, aiming for radio-friendly appeal without abandoning rock’s rhythmic punch.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Rock
Rock is a broad family of popular music centered on amplified instruments, a strong backbeat, and song forms that foreground riffs, choruses, and anthemic hooks. Emerging from mid‑20th‑century American styles like rhythm & blues, country, and gospel-inflected rock and roll, rock quickly expanded in scope—absorbing folk, blues, and psychedelic ideas—while shaping global youth culture. Core sonic markers include electric guitar (often overdriven), electric bass, drum kit emphasizing beats 2 and 4, and emotive lead vocals. Rock songs commonly use verse–chorus structures, blues-derived harmony, and memorable melodic motifs, ranging from intimate ballads to high‑energy, stadium‑sized performances.
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Kayōkyoku
Kayōkyoku is a broad umbrella of Japanese popular song that dominated the nation’s mainstream from the prewar era through the 1980s, before the term J‑pop became prevalent. It blends Western popular idioms—such as jazz, swing, tango, and later rock and roll—with Japanese melodic sensibilities and lyric themes. Stylistically, kayōkyoku favors clear, memorable melodies, polished vocal delivery, and orchestral or big‑band arrangements. Its songs often use Western song forms (AABA or verse–chorus), while retaining a distinctly Japanese emotional tone rooted in nostalgia, romance, and everyday urban life.
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Musical
Musical (musical theatre) is a narrative stage form that integrates songs, spoken dialogue, acting, and dance to tell a story. Its core aim is dramatic storytelling in which music advances plot, deepens character, and shapes emotional arcs, often through recurring motives and reprises. Developed primarily on Broadway (New York) and later the West End (London), the genre blends operetta’s melodic lyricism, vaudeville’s variety entertainment, revue’s song-driven showcase, and Tin Pan Alley’s popular songcraft. Musicals range from intimate chamber pieces to large-scale "megamusicals," and from traditional book musicals to rock, hip‑hop, and concept-driven works. The musical’s songbook has fed the Great American Songbook and popular music at large, while the stage craft has influenced film, television, and concert performance.
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Ballad
A ballad is a narrative song form that tells a story in simple, singable stanzas, traditionally using quatrains in ballad meter (alternating lines of iambic tetrameter and trimeter with an ABCB rhyme scheme). Ballads typically recount dramatic events—love, betrayal, tragedy, murder, the supernatural—or notable historical incidents. Early ballads were often sung unaccompanied or with minimal accompaniment, carried by memorable, modal melodies and refrains that aided oral transmission. Over time, the term also came to describe slow, sentimental popular songs in the 20th century, but the core of the genre remains the storytelling focus and strophic, easily learned structure. Ballads are central to the English- and Scots-language folk traditions, migrated to North America where they flourished in Appalachian singing, and continue to be performed, adapted, and reinterpreted in contemporary folk and roots scenes.
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Show all 7 genres
Albums
1980
This is my trial
山口百恵
Kayōkyoku
Pop
Rock
1980
不死鳥伝説
山口百恵
Ballad
Kayōkyoku
Musical
1980
メビウス・ゲーム
山口百恵
Ballad
Idol Kayō
Pop
1980
春告鳥
山口百恵
Ballad
Idol Kayō
Pop
1979
L.A.Blue
山口百恵
Ballad
Idol Kayō
Pop
1979
A Face in a Vision
山口百恵
Kayōkyoku
Pop
1978
ドラマチック
山口百恵
Kayōkyoku
Pop
Pop Rock
1978
COSMOS(宇宙)
山口百恵
Ballad
Idol Kayō
Pop
1977
花ざかり
山口百恵
Ballad
Idol Kayō
Pop
1977
GOLDEN FLIGHT
山口百恵
Ballad
Idol Kayō
Pop
1977
百恵白書
山口百恵
Pop
Rock
1976
パールカラーにゆれて
山口百恵
Ballad
Idol Kayō
Pop
1976
横須賀ストーリー
山口百恵
Ballad
Idol Kayō
Pop
1976
17才のテーマ
山口百恵
Ballad
Idol Kayō
Pop
1975
ささやかな欲望
山口百恵
Ballad
Idol Kayō
Pop
1975
16才のテーマ
山口百恵
Ballad
Idol Kayō
Pop
1974
15才
山口百恵
Ballad
Idol Kayō
Pop
1974
15歳のテーマ/ひと夏の経験
山口百恵
Ballad
Idol Kayō
Pop
1974
15歳のテーマ/百恵の季節
山口百恵
Ballad
Idol Kayō
Pop
1973
青い果実/禁じられた遊び
山口百恵
Ballad
Idol Kayō
Pop
1973
山口百恵ファースト・アルバム/としごろ
山口百恵
Kayōkyoku
Pop
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.