Shara McKee & The Pentecostals of Katy Choir

Pentecostal is a worship-centered musical style that grew out of early 20th-century Pentecostal and Holiness revivals in the United States. It blends African American spirituals, folk hymnody, and blues-inflected shouts with ecstatic congregational practices such as call-and-response, handclapping, dancing, and moments of free prayer or glossolalia. Musically, Pentecostal services move fluidly between driving praise songs and slow, soaring worship ballads. Hallmarks include 12/8 and triplet feels, gospel chord language, extended vamps, rising key modulations, antiphonal choir-leader exchanges, and spontaneous spoken exhortations. Instrumentation ranges from small rhythm sections centered on Hammond organ, piano, bass, drums, and tambourine to large choirs and contemporary worship bands with electric guitars and modern production.

Apostolic worship is a stream of Christian congregational music rooted in Apostolic (Oneness Pentecostal) church practice. It blends the high-energy spontaneity of Pentecostal praise with modern praise-and-worship songcraft, emphasizing Jesus’ Name theology, Holy Spirit outpouring, and altar-centered ministry. Musically it ranges from driving 4/4 praise songs with full rhythm section and choir to tender 6/8 gospel ballads and extended “vamps” that invite free praise, prayer, and spontaneous exhortation. Common features include call-and-response, modulations (often up a whole step to lift congregational energy), dynamic builds, and “praise breaks” led by drums, bass, and organ. While stylistically close to contemporary worship and gospel, Apostolic worship is distinguished by its doctrinal focus (baptism in Jesus’ Name, Acts 2:38) and an altar-service flow that leaves room for testimony, prayer lines, and extended congregational participation.