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Philippe Katerine
2017
·
1 album
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3
/5
Genres
Experimental Indie
Experimental indie is a broad, exploratory wing of independent rock and pop that prioritizes curiosity over convention. It blends DIY recording practices with off‑kilter song forms, unusual timbres, and a willingness to fold in ideas from avant‑pop, noise, electronic music, and psych. Rather than a fixed sound, it is a method and attitude: use the tools at hand (bedroom rigs, pedals, samplers, tape, software) to push past genre borders, while keeping the immediacy and intimacy of indie. Expect jagged rhythms, warped hooks, collage‑like arrangements, and production choices that foreground texture as much as melody.
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Melancholia
Melancholia is an internet-era microgenre centered on soft-focus, sorrow-tinged pop and indie songs that foreground intimacy, space, and emotional candor. Tracks are typically slow to mid‑tempo, sung in a close, almost confessional register, and framed by sparse, reverb‑soaked textures. Sonically it lives between dream pop, bedroom pop, and slowcore: shimmering guitars or wistful synth pads drift over understated beats; piano, acoustic guitar, and low‑key electronic drums carry muted, pulsing grooves. Harmonies often favor minor keys, suspended chords, and gentle extensions (7ths/9ths) that heighten a bittersweet glow. Lyrically, melancholia lingers on solitude, late‑night self‑reflection, breakups, and fragile hope. The genre coalesced through streaming playlists and social media, where its hush, negative space, and diaristic tone translate into a cohesive, instantly recognizable mood.
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French Indie Pop
French indie pop is a contemporary pop style made by French artists who work with independent labels or DIY means, fusing the melodic directness of pop with the aesthetics of indie rock and electronic music. It typically blends the lyrical intimacy and wordplay of chanson with retro flavors from yé-yé, new wave, synth-pop, and dream pop. Expect sleek hooks, airy or breathy vocals in French (often with touches of English), jangly guitars, warm analog and FM synths, drum machines, and clean, groovy basslines. Production tends to be polished yet understated—nostalgic, cinematic, and nocturnal, but still danceable. The result is a cosmopolitan sound that sits between club sheen and bedroom intimacy, equally at home on festival stages and in headphone listening.
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French House
French house, often called the "French touch," is a sample-centric substyle of house music known for filtering and looping fragments of 1970s–1980s disco, boogie, and funk. It features a steady four-on-the-floor kick, syncopated and swung hi-hats, punchy sampled basslines, and a distinctive "pumping" feel created by heavy sidechain compression. Production commonly emphasizes warm, saturated textures and filter sweeps—automated low‑pass and high‑pass filters that open and close across loops—to create tension and release on the dancefloor. Vocoder or talkbox-tinted vocals, brief earworm hooks, and concise, groove-first arrangements are typical, with tempos usually between 120–128 BPM. The sound is closely associated with Parisian labels and crews from the mid-to-late 1990s and early 2000s, and it helped re-popularize disco aesthetics within contemporary dance music.
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Nouvelle Chanson Française
Nouvelle chanson française is the late‑1990s/2000s renewal of French chanson that places finely crafted French‑language lyrics at the center while adopting contemporary pop, indie, folk, and light electronic aesthetics. It retains the poetic intimacy and narrative focus of classic chanson but updates the sound with understated production, acoustic guitar and piano cores, tasteful string/brass colors, and subtle drum programming. The result is a literate, voice‑forward style that ranges from tender and melancholic to wry and conversational, often reflecting urban life, relationships, and everyday detail through modern, minimalist arrangements.
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French Pop
French pop is the mainstream, melody-forward popular music sung primarily in French that blends the lyrical sophistication of chanson with the hooks, structures, and production of international pop. Its core is songcraft: memorable choruses, clear vocal presence, and arrangements that balance acoustic warmth with electronic gloss. Evolving from the 1960s yé-yé wave, the style absorbed elements of disco, new wave, synth-pop, and later electronic and hip hop production, while retaining a distinctly French sensibility in storytelling, wordplay, and romantic themes. Modern French pop ranges from intimate, soft-pop ballads to sleek electro-pop, but it remains anchored by expressive vocals and concise, radio-ready forms.
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Singer-Songwriter
Singer-songwriter is a song-focused style in which the same person writes, composes, and performs their own material, often accompanying themselves on acoustic guitar or piano. It emphasizes personal voice, lyrical intimacy, and storytelling over elaborate production. Arrangements are typically sparse, allowing the melody, words, and performance nuance to carry the song’s emotional weight. While rooted in folk and blues traditions, singer-songwriter embraces pop and rock songcraft, producing works that can range from quiet confessional ballads to subtly orchestrated, radio-ready pieces.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Experimental
Experimental music is an umbrella term for practices that prioritize exploration, process, and discovery over adherence to established genre norms. It embraces new sound sources, nonstandard tuning systems, indeterminacy and chance operations, graphic and open-form scores, extended techniques, and technology-led sound design (tape, electronics, computers, and live processing). Rather than a single style, it is a methodology and ethos: testing hypotheses about sound, structure, and performance, often blurring boundaries between composition, improvisation, sound art, and performance art. Listeners can expect unfamiliar timbres, unusual forms, and an emphasis on how music is made as much as the resulting sound.
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Chanson Française
Chanson française is a lyric-centered French song tradition in which the expressiveness, prosody, and storytelling of the French language take priority over virtuosic vocal display. Melodies tend to be memorable yet restrained, arranged to support the text rather than overshadow it. Historically linked to Parisian cabarets, music halls, and the café-concert circuit, the style embraces topics ranging from love and everyday life to social satire and political commentary. Typical accompaniments include guitar, accordion, piano, and small orchestras, with arrangements that can range from intimate to lush. Performance is as much about interpretation and diction as it is about singing, often favoring conversational phrasing and dramatic nuance.
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Novelty
Novelty is a branch of popular song that foregrounds a "novel" hook—gimmicks, topical jokes, exaggerated sound effects, or playful pastiches—designed to grab immediate attention and often to amuse. It overlaps with comedy songs and musical parody, but not every humorous song is a novelty; the emphasis is on the conceit itself and its instant recognizability. The term emerged in the Tin Pan Alley era as one of the three big divisions of commercial popular music (alongside ballads and dance numbers), and the style surged in popularity in the 1920s–30s, with later revivals in the 1950s–60s and recurring viral waves in the internet age.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Show all 12 genres
Albums
2017
1
/5
Philippe Katerine
Katerine
Novelty
Electronic
Experimental
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2
/5
Dominique A
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Julien Doré
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Clara Luciani
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Melodding was created as a tribute to
Every Noise at Once
, which inspired us to help curious minds keep digging into music's ever-evolving genres.