Hazan Aaron Kohen Yasak

Maftirim is a paraliturgical Jewish choral tradition that flourished among the Ottoman Empire’s Sephardi communities, especially in Edirne, Istanbul, and İzmir. It sets Hebrew piyyutim (liturgical poems) to the modal and rhythmic language of Ottoman/Turkish classical music (makam and usul). Typically performed by male choirs of hazzanim (cantors) and lay singers, Maftirim pieces are sung a cappella in synagogue contexts (in keeping with Sabbath restrictions) and often feature a leader–chorus format, melismatic ornamentation, and heterophonic unison textures. Outside of strictly liturgical settings, the same repertoire may be arranged with Ottoman instruments such as oud, tanbur, ney, kanun, keman, and frame drums. Musically, Maftirim bridges Hebrew sacred poetry and the aesthetics of Ottoman court and Sufi repertoire, using characteristic makams (e.g., Hicaz, Uşşak, Hüseyni, Rast, Segâh) and usul cycles (e.g., Sofyan, Aksak/Yürük semai). The result is a contemplative and refined devotional sound that stands at the crossroads of Jewish liturgy and Ottoman art music.