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By Cement Tea
Albums
By Cement Tea
Wrapped in Despair
December 11, 2019
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Skullstep
Skullstep is an ultra-hard, industrial-tinged strain of drum and bass that pushes aggression and darkness to the forefront. Emerging from the mid-2000s Therapy Sessions circuit, it favors relentlessly heavy drums, sharply gated snares, and brutally distorted basslines over melody. The style borrows the mechanical precision of techstep and neurofunk, the ferocity of darkstep and hardstep, and the bleak textures of industrial and horror sound design. Tempos sit around 170–175 BPM, with hostile atmospheres, atonal hits, and tense cinematic swells that frame explosive drops and punishing switch-ups.
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Crossbreed
Crossbreed (often called crossbreed drum and bass) is a hybrid of drum and bass and hardcore techno/gabber that fuses the half-time/breakbeat grammar of DnB with the relentless 4/4 impact and distorted kick design of industrial hardcore. Typical tempos sit around 170–180 BPM, keeping close to DnB speed while adopting hardcore’s long-tailed, heavily saturated kicks and metallic, industrial textures. The style emphasizes aggressive sound design—Reese and FM basses, screaming leads/screeches, and dense, overdriven percussion—framed by DnB-style builds, drops, and breakdowns. Atmospheres are dark and cinematic, often drawing on horror, sci‑fi, and dystopian aesthetics. The result is music that feels simultaneously rolling and stomping, combining broken-beat groove with a punishing four-on-the-floor engine.
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Flashcore
Flashcore is an experimental, ultra-fast offshoot of hardcore techno that pushes tempo, sound design, and structural abstraction to extremes. Emerging from the French underground at the end of the 1990s, it rethinks the function of the kick drum and meter, often abandoning dance-floor regularity for fractal, hyper-detailed rhythmic design. Typical tracks range from 250 BPM into the 1000 BPM realm, emphasizing micro-edits, granular textures, spectral processing, and noise-inflected timbres. Rather than building around verse–chorus or steady 4/4 grooves, flashcore pieces are usually through‑composed, textural, and dynamic, borrowing ideas from IDM, noise, and electroacoustic music while retaining the intensity of speedcore and industrial hardcore. The aesthetic is cybernetic and futurist: cold, metallic palettes; atonal or cluster-based harmony; and a focus on tension, disorientation, and controlled chaos. It is both a club-born and art-forward practice, sitting at the intersection of hardcore rave culture and advanced sound art.
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Melodding was created as a tribute to
Every Noise at Once
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