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By Silentó
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By Silentó
Watch Me (Whip / Nae Nae)
May 4, 2015
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Chicago Bop
Chicago bop is a buoyant, dance-driven offshoot of Chicago drill that emerged in the early 2010s. Where drill is dark and menacing, bop flips the script with upbeat tempos, bright synth melodies, and heavy Auto-Tune, encouraging party atmospheres and dance challenges. The style typically blends trap drum programming (808 kicks, fast hi-hat rolls, crisp claps) with sugary, bell-like or plucked synth leads and playful sing-rap flows. Lyrics lean toward fun, flexing, neighborhood slang, and dance instructions rather than street narratives, and the music is closely tied to the local “bop” dance movement that went viral on social media.
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Crunk
Crunk is a high-energy subgenre of Southern hip hop built for the club, the party, and the mosh-like dancefloor. It emphasizes booming 808 sub-bass, hard claps and snares, chantable hooks, and a shouted, call-and-response vocal style that turns the track into a crowd ritual. Typical crunk production relies on drum machines (especially 808s), short synth stabs, brass/string hits, and simple, aggressive grooves with minimal harmonic movement. MCs and hypemen deliver short, imperative lines—often repeated—designed to provoke movement, hype, and collective release. Rising from the Southern United States in the early 1990s and peaking in the mid‑2000s, crunk became one of the most dance- and club‑oriented branches of hip hop, with its influence extending into pop-rap, R&B fusions, and later trap aesthetics.
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Pinoy Hip Hop
Pinoy hip hop (Filipino hip hop) is the Philippines’ take on rap culture, blending the foundations of American hip hop with local languages, melodies, and storytelling traditions. Artists frequently switch between Tagalog and English ("Taglish"), as well as other Philippine languages (e.g., Cebuano, Ilocano), creating a conversational and culturally specific lyrical voice. Musically, the style spans classic boom-bap and G‑funk to contemporary trap and pop-rap. Producers often sample or interpolate OPM (Original Pilipino Music) ballads and love songs, mixing sentimental hooks with gritty verses. Thematically, Pinoy hip hop ranges from braggadocio and nightlife to social critique, diaspora identity, humor, and “hugot” (emotionally candid) storytelling. The genre is rooted in Manila’s dance and DJ culture but has grown nationally and within the diaspora. Battle rap culture—particularly the FlipTop league—has been a major force, foregrounding lyricism, multisyllabic rhyme schemes, and the debate-like tradition reminiscent of Balagtasan.
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Melodding was created as a tribute to
Every Noise at Once
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