Three Greek Ballets

Neoclassicism in music is a 20th‑century movement that revived forms, genres, and aesthetics from the Baroque and Classical eras, but reframed them with modern harmony, rhythm, and orchestration. It emphasizes clarity, balance, objectivity, and contrapuntal craft, often rejecting late‑Romantic excess while retaining a tonal or modal center enriched by dissonance, bitonality, and crisp rhythmic drive. Typical hallmarks include neobaroque dance suites, neoclassical sonatas and concerti, chamber‑oriented scoring, clean textures, and a dry, anti‑rhetorical performance style.

Ballet (as a musical genre) refers to orchestral music written to accompany choreographed dance on stage. It prioritizes clear tempi, strongly articulated rhythms, and memorable leitmotifs to support narrative, character, and movement. While rooted in court entertainment, ballet music evolved into a sophisticated, self-sufficient concert art: many ballets yield popular orchestral suites that are performed independently. Typical numbers include adagios, variations, codas, divertissements, character dances, and large ensemble scenes that mirror the dramatic arc of the choreography. Stylistically, ballet spans Baroque courtly idioms, Classical clarity, Romantic lyricism, and 20th‑century modernism and neoclassicism. It is predominantly instrumental (full orchestra), but can occasionally include choral or vocal parts when dramaturgy requires it.

Classical music is the notated art-music tradition of Europe and its global descendants, characterized by durable forms, carefully codified harmony and counterpoint, and a literate score-based practice. The term “classical” can refer broadly to the entire Western art-music lineage from the Medieval era to today, not just the Classical period (c. 1750s–1820s). It privileges long-form structures (such as symphonies, sonatas, concertos, masses, and operas), functional or modal harmony, thematic development, and timbral nuance across ensembles ranging from solo instruments to full orchestras and choirs. Across centuries, the style evolved from chant and modal polyphony to tonal harmony, and later to post-tonal idioms, while maintaining a shared emphasis on written notation, performance practice, and craft.