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By Udit Narayan
Albums
By Udit Narayan
Mujhse Dosti Karoge
June 12, 2002
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Chutney
Chutney is an Indo-Caribbean dance music that blends North Indian folk and devotional song with Caribbean popular rhythms. It features lively percussion (especially dholak, dhantal, and tassa), harmonium-led melodies, and singable choruses in Hindi, Trinidadian Hindustani, and English. Emerging among the Indian diaspora in Trinidad and Tobago, chutney grew from intimate house-music traditions into amplified stage performances and recordings. Its lyrics typically revolve around love, weddings, teasing banter, and festive “bacchanal,” and its upbeat feel makes it a staple at family functions, fetes, and Carnival events. While classic chutney retains a rootsy Indo-folk core, modern productions often incorporate calypso and soca grooves, electric bass, guitar skanks, and synthesizers. This evolution helped give rise to the high-energy fusion subgenre chutney soca.
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Hindustani Classical
Hindustani classical is the North Indian branch of the Indian classical tradition, centered on the concepts of raga (melodic framework) and tala (cyclical rhythm). It emphasizes improvisation within strict aesthetic and grammatical boundaries, unfolding a raga through a gradual, architected performance arc from free-rhythm exploration to metrically grounded elaboration. Performances typically proceed through an alap (slow, non-metrical exposition), jor and jhala (rhythmic intensification on plucked instruments), and a composed piece—bandish or gat—set to a tala cycle, followed by improvisations (vistar, tans, bol-bant) that resolve emphatically on the sam (first beat). Signature ornaments such as meend (glides), gamak (oscillation), and andolan (slow vibrato) articulate microtonal nuance (shruti). The style encompasses vocal genres like dhrupad and khyal, and instrumental idioms on sitar, sarod, sarangi, bansuri, and shehnai, supported by a sustaining drone (tanpura) and tabla or pakhawaj accompaniment. Beyond the concert hall, Hindustani classical has deeply informed sub-classical and popular forms across South Asia and, through mid-20th-century cultural exchange, popular and art music worldwide.
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