Metamorphosis - Música En El Imperio Otomano: Grecia, Bizancia, Constantinopla (Tsiamulis, Psonis, Estevan)

Ancient Greek music refers to the musical practices of the Greek world from the Archaic period through the Hellenistic and early Roman eras (roughly 8th century BCE to 3rd century CE). It was primarily monophonic, often performed by solo singer-instrumentalists or choruses, and closely tied to poetry, ritual, theater, and civic life. Its sound world was shaped by modal systems (harmoniai), tetrachordal structures, and three genera (diatonic, chromatic, enharmonic), with tuning and intervallic ethos discussed by philosophers and theorists. Rhythm followed poetic meters (e.g., dactylic, iambic, paeonic), not modern bar-based accentuation. Instruments such as the lyre, kithara, and aulos dominated, with occasional percussion and later the hydraulis. Surviving notated fragments (e.g., the Seikilos epitaph, Euripides’ Orestes chorus, hymns by Mesomedes) and treatises (Aristoxenus, Aristides Quintilianus, Ptolemy) guide modern reconstructions. Beyond entertainment, music framed worship (hymns and paeans), athletic and civic festivals, tragedy and comedy, and education. It profoundly shaped later Mediterranean liturgical chant and European music theory.