En el ombligo de la Luna

Mesoamerican music refers to the pre‑Columbian musical traditions of the civilizations that flourished in present‑day Mexico and parts of Central America (e.g., Olmec, Maya, Zapotec, Mixtec, and Mexica/Aztec). Emerging as early as the Preclassic period (circa 1500 BCE), it developed a rich ceremonial sound world built around aerophones (clay ocarinas, whistles, flutes, conch shell trumpets), membranophones (huehuetl single‑headed drums), idiophones (rattles, slit‑drum teponaztli), and voice. Rather than harmony in the Western sense, the music emphasizes timbre, cyclical rhythms, antiphonal chant, and heterophonic textures that accompany dance, poetry, ritual, warfare, and calendrical observances. Musical practice was embedded in civic‑religious life—performed in temples, courts, and plazas—and encoded in pictorial codices and sculpture that depict instruments, ensembles, and performance contexts.