Ecole de Notre-Dame de Paris 1163-1245 : monodies et polyphonies vocales

Ars antiqua is a medieval European musical style that flourished roughly from the late 12th century to the early 14th century, with its center of gravity in Paris and the Notre Dame Cathedral school. It is defined by the consolidation of measured rhythm through the six rhythmic modes, the cultivation of polyphony in organum and discant styles, and the emergence of the early motet and conductus. Composers favored two to four vocal parts, with a chant-derived tenor forming the foundation and upper voices providing melismatic and texted counterpoint. Harmony emphasized perfect consonances (unisons, fourths, fifths, and octaves), with cadences carefully prepared. Ars antiqua laid crucial groundwork for European notation (including Franconian mensural concepts), enabling more precise rhythmic coordination and setting the stage for the innovations of the later Ars nova.