Caucasian Sketches, Op. 10 / Polovtsian Dances; In the Steppes of Central Asia

The Saint Petersburg school refers to interrelated circles of 19th-century Russian Western Classical composers centered in Saint Petersburg. Its core aim was to develop a distinctly Russian national style within Western art-music forms, blending European conservatory craft (symphony, opera, chamber music) with Russian-language declamation, folk-like melodic turns, Orthodox-tinged sonorities, and programmatic subjects drawn from Russian history and literature. In practice, the term often overlaps with the so‑called “Mighty Handful” (Balakirev’s circle) and their broader St. Petersburg milieu, where national-romantic aesthetics were pursued alongside vigorous debate with more academically oriented musicians.