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By Mylène Farmer
Albums
By Mylène Farmer
Ainsi soit je...
January 1, 1988
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Dark Wave
Dark wave is a moody, melancholic offshoot of post-punk and new wave that emphasizes minor-key harmonies, somber timbres, and introspective or romantic lyrical themes. It blends the icy textures of early synthesizers and drum machines with reverb-laden guitars and melodic, driving basslines. The style typically features baritone or ethereal vocals, atmospheric production with heavy use of chorus, delay, and reverb, and tempos that range from slow and brooding to mid-tempo and danceable. Dark wave spans both guitar-oriented and synth-forward approaches, and often overlaps with related movements such as coldwave, minimal wave, and ethereal wave.
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French Pop
French pop is the mainstream, melody-forward popular music sung primarily in French that blends the lyrical sophistication of chanson with the hooks, structures, and production of international pop. Its core is songcraft: memorable choruses, clear vocal presence, and arrangements that balance acoustic warmth with electronic gloss. Evolving from the 1960s yé-yé wave, the style absorbed elements of disco, new wave, synth-pop, and later electronic and hip hop production, while retaining a distinctly French sensibility in storytelling, wordplay, and romantic themes. Modern French pop ranges from intimate, soft-pop ballads to sleek electro-pop, but it remains anchored by expressive vocals and concise, radio-ready forms.
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Pop
Pop is a broad, hook-driven style of popular music designed for wide appeal. It emphasizes memorable melodies, concise song structures, polished vocals, and production intended for radio, charts, and mass media. While pop continually absorbs elements from other styles, its core remains singable choruses, accessible harmonies, and rhythmic clarity. Typical forms include verse–pre-chorus–chorus, frequent use of bridges and middle-eights, and ear-catching intros and outros. Pop is not defined by a single instrumentation. It flexibly incorporates acoustic and electric instruments, drum machines, synthesizers, and increasingly digital production techniques, always in service of the song and the hook.
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Electronic
Electronic is a broad umbrella genre defined by the primary use of electronically generated or electronically processed sound. It encompasses music made with synthesizers, drum machines, samplers, computers, and studio/tape techniques, as well as electroacoustic manipulation of recorded or synthetic sources. The genre ranges from academic and experimental traditions to popular and dance-oriented forms. While its sonic palette is rooted in electricity and circuitry, its aesthetics span minimal and textural explorations, structured song forms, and beat-driven club permutations. Electronic emphasizes sound design, timbre, and studio-as-instrument practices as much as melody and harmony.
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Melodding was created as a tribute to
Every Noise at Once
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